CONTRABAND

CONTRABAND, visually explores how the industry of slavery laid the blueprint for drug crimes, curb culture, and mass incarceration in Black communities. This project draws from research at the American Antiquarian Society where I used ephemera and manuscripts to visualize the economics of the transatlantic slave trade. I am working to unpack historical connections visually; sometimes words fail me. CONTRABAND will be the culmination of this research and analysis in the form of community actions, printmaking, installation, music and animation. Below are the first completed prints in the series.

During the Civil War those who escaped slavery and made their way to Union territory were considered “contraband”, or “illegal goods.”  I learned that 19th century policies such as the Fugitive Slave Act, which required that escapes enslaved people be returned to their “owners”, and the Slave and Black Codes, which restricted literacy, gathering in groups, participating in business, etc set the precedent for how Black bodies are policed, surveilled, and limited today.  I reflected upon what offenses Black folks get charged for today, and how those charges relate to the concept of contraband.

I examined colonial currencies and wondered how industries of commodity and value are created in a new society. I explored the ways Black bodies were valued in account books and slave ship manifests. In addition to new currencies, highly valued objects such as guns, gin, and fabric were traded in equal weights for a soon to be enslaved individual. I made connections to the lives of many young men of color who continue to exchange their lives for guns, liquor or drugs. I would be remiss to simplify the connections of the present to this historical context: the relationships are multilayered intricacies of power, privilege and systems which will form my visual representation of CONTRABAND.

Through CONTRABAND I seek to unpack the ways that sentencing and state sponsored violences are intimately connected to the technologies of the past to continue a conversation of how to build a new way forward. 

below are process photos of the stencils in preparation for exposing the layers of the image on various screens to print each color.